Followers
Thursday, November 18, 2010
Ryōan-ji – Japan
Wednesday, November 17, 2010
Minneapolis Sculpture Garden – EUA
Tuesday, November 16, 2010
Shalimar Garden – Pakistan
Monday, November 15, 2010
Yuyuan Garden – China
Sunday, November 14, 2010
Butchart Gardens – Canada
Saturday, November 13, 2010
Jardim Botânico de Curitiba – Brazil
Friday, November 12, 2010
Versailles – France
Thursday, November 11, 2010
Suan Nong Nooch – Thailand
A vast 600 acres area was bought by Mr. Pisit and Mrs. Nongnooch in 1954, this land was predicted to be a fruit plantation, but, Mrs. Nongnooch made a trip abroad and came back with a firm decision to create there a tropical garden of ornamental plants and flowers.
In 1980 it was opened to the public and got an official name “Suan Nong Nooch”. Suan – means “garden”, since it is a place where everybody concerned can get acquainted with Thai Culture and Cultural Shows. More than 2,000 visitors go there everyday. This garden always looks as it does today. Also, it is a conservation place for many plants and palms.
Wednesday, November 10, 2010
Keukenhof Gardens – The Neatherlands
Tuesday, November 9, 2010
The Garden of Cosmic Speculation – Scotland
Monday, November 8, 2010
A tribute to rednecks
Now for something a little different. In order to appreciate the artistic qualities of architecture, one must also familiarize them self with the absolute nadir of society, redneck culture, if only to contrast and compare what is hilariously compromised to that which is awesome in its uncompromising nature:
Redneck Carnival Ride.
Redneck Flat screen TV.
Redneck Swimming Pool: yeah, filling up the El Camino to stay cool.
Redneck Harley.
Redneck Garden.
Redneck Bass Boat.
Redneck Car Window Defroster.
Redneck Car Lock.
Redneck Horseshoes.
Redneck Birthday Cake.
Redneck Hot tub.
Redneck Riding Mower.
Redneck Mailbox.
Redneck Senior Scooter.
Redneck Water Pump.
Please do not attempt any of these dumb ideas unless you are already in a less than sober state.
Please do not attempt any of these dumb ideas unless you are already in a less than sober state.
Sunday, November 7, 2010
Random Architecture of the Day, #4
Here are a couple photos of Black House in Utrecht, Netherlands by Bakers Architecten, 2010. Photographs are by pedro kok. See Arch Daily for more on the project.
Saturday, November 6, 2010
CHROMAtex.me
Spurred by a recent today's archidose, I ventured to the Lower East Side (before Jan Gehl's great lecture) to check out SOFTlab's installation CHROMAtex.me at bridgegallery.
The gallery is located next door to the Tenement Museum on Orchard Street. The colorful vortex is a jarring juxtaposition with the old-law tenements and other old buildings on the street.
Like one of Anish Kapoor's inaccessible voids, the red-to-green funnel draws one's gaze into the gallery space. Access inside is via a plain-Jane door next to the storefront window, not through the tunnel of color.
Inside the installation is the inverse of the space it creates. The small pieces of colored paper are clipped together with good old generic binder clips. Names of donors are printed on some of the pieces.
The individual pieces of paper are assembled like a cut-out model: Cut here, fold here, clip here, repeat. The folds are perforated, allowing light from the gallery to enter, highlighting the seams that run vertically and horizontally.
The cavernous, tube-like, amorphous spaces reach from the storefront to the deep reaches of the gallery, branching out towards a side wall and towards the front door. Visitors gaze in to see the views like those collected here, drawing a myriad of associations that may or may not be intentional.
Friday, November 5, 2010
Thursday, November 4, 2010
Chloe's Toronto
Spurred by a comment in a recent post, I rented Atom Egoyan's film Chloe, in which the below house by Teeple Architects plays a small role, among other buildings, in the story. The basic plot (don't worry, no spoilers in this post) involves a married couple--a doctor and professor played by Julianne Moore and Liam Neeson, respectively--and a prostitute (Amanda Seyfried) hired by the wife when she suspects her husband is cheating on her. The prostitute is supposed to flirt with the husband to see if he would be unfaithful with her, but of course things get complicated in ways the viewer may not anticipate. In the film the Heathdale House is the home of Moore, Neeson and their high-school-age son (Max Thieriot). Or is it?
Actually the house just plays the front, giving a suburban context to the three-person family. But the inside is played by the Ravine House by Drew Mandel Design, a house that appears to be in a more rural area (but in reality is down the street), backing obviously onto a ravine. Ravine House's rear is articulated with projecting bays and inside corners, so one can look from one space to another through exterior glass walls. This is illustrated in the film, but the interior displays the same means of oblique views through glass walls and across openings in section. They are complex spaces that reinforce the visual proximity but physical and mental distance between the three family members, but it and the front of the house are just the tip of the iceberg in Egoyan's use of architecture--specifically Toronto's contemporary architecture--in Chloe.
[Interior of Ravine House by Drew Mandel Design | image source]
A little bit has been written about Toronto finally starring as itself in a film (this is the first foreign-financed film both set and shot in Toronto), instead of pretending to be New York, Chicago, or even a European city. Torontoist does a good job of running down the various sites that are used in the film, including the two houses above, but also the Royal Conservatory of Music by Kuwabara Payne McKenna Blumberg Architects, the Royal Ontario Museum (ROM) by Daniel Libeskind, the Art Gallery of Ontario (AGO) by Frank Gehry (with Will Alsop's OCAD in the background), as well as a hotel and various bars and restaurants. Many of the above buildings and names echo my review last week of A Guide to Contemporary Architecture in Toronto by Margaret Goodfellow and Phil Goodfellow.
View Larger Map
[AGO with OCAD in the background | Google street view]
While watching Chloe and recognizing many of the recent buildings portrayed, a few things entered my mind: Toronto is becoming much more cosmopolitan, with iconic buildings helping the city "play itself" instead of standing in for another one; the film acts as an advertisement for Toronto, like booster propaganda, where the quality of life and places is very high; and the use of landmarks in the city--be it a Frank Gehry building or a well-known cafe--does not actively engage the plot, unlike the Ravine House. The last is like a film set in New York City where we see the Empire State Building, Central Park, the Guggenheim, and other places that scream NEW YORK (I can't think of a particular film at the moment, but I'm sure there are many) but don't use the city as more than a backdrop. How does the AGO/OCAD setting relate to the phone call happening when Chloe is on that corner? Unfortunately I'm at a loss to say. Regardless, I liked the film a lot.
Actually the house just plays the front, giving a suburban context to the three-person family. But the inside is played by the Ravine House by Drew Mandel Design, a house that appears to be in a more rural area (but in reality is down the street), backing obviously onto a ravine. Ravine House's rear is articulated with projecting bays and inside corners, so one can look from one space to another through exterior glass walls. This is illustrated in the film, but the interior displays the same means of oblique views through glass walls and across openings in section. They are complex spaces that reinforce the visual proximity but physical and mental distance between the three family members, but it and the front of the house are just the tip of the iceberg in Egoyan's use of architecture--specifically Toronto's contemporary architecture--in Chloe.
[Interior of Ravine House by Drew Mandel Design | image source]
A little bit has been written about Toronto finally starring as itself in a film (this is the first foreign-financed film both set and shot in Toronto), instead of pretending to be New York, Chicago, or even a European city. Torontoist does a good job of running down the various sites that are used in the film, including the two houses above, but also the Royal Conservatory of Music by Kuwabara Payne McKenna Blumberg Architects, the Royal Ontario Museum (ROM) by Daniel Libeskind, the Art Gallery of Ontario (AGO) by Frank Gehry (with Will Alsop's OCAD in the background), as well as a hotel and various bars and restaurants. Many of the above buildings and names echo my review last week of A Guide to Contemporary Architecture in Toronto by Margaret Goodfellow and Phil Goodfellow.
View Larger Map
[AGO with OCAD in the background | Google street view]
While watching Chloe and recognizing many of the recent buildings portrayed, a few things entered my mind: Toronto is becoming much more cosmopolitan, with iconic buildings helping the city "play itself" instead of standing in for another one; the film acts as an advertisement for Toronto, like booster propaganda, where the quality of life and places is very high; and the use of landmarks in the city--be it a Frank Gehry building or a well-known cafe--does not actively engage the plot, unlike the Ravine House. The last is like a film set in New York City where we see the Empire State Building, Central Park, the Guggenheim, and other places that scream NEW YORK (I can't think of a particular film at the moment, but I'm sure there are many) but don't use the city as more than a backdrop. How does the AGO/OCAD setting relate to the phone call happening when Chloe is on that corner? Unfortunately I'm at a loss to say. Regardless, I liked the film a lot.
Wednesday, November 3, 2010
Random Architecture of the Day, #2
Fractured Bubble by Henry Grosman and Babak Bryan, at the Sukkah City installed in Union Square Park, New York City, 2010. Fractured Bubble was selected as the People's Choice and is on display in Union Square Park until October 2nd.
Tuesday, November 2, 2010
Random Architecture of the Day, #1
UK Pavilion at Shanghai Expo 2010 by Heatherwick Studio. Note the Coneheads.
Monday, November 1, 2010
Subscribe to:
Posts (Atom)
Extension to the Historical Museum Bern in Bern, Switzerland by KUBUS/TITAN (Eduard von Rodt and Andre Lambert), 2010.Correction: Extension to the Historical Museum Bern (aka KUBUS/TITAN) in Bern, Switzerland by :mlzd, 2009.